Blythe & Bonny
Blythe & Bonny
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likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
artmonia:

My Spirit by Your Porcelain Doll
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definitelydope:

By Davide Calluori
definitelydope:

By Davide Calluori
definitelydope:

By Davide Calluori
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vanished:

Airan Kang - Lighting Books
vanished:

Airan Kang - Lighting Books
ZoomInfo
devidsketchbook:

THE ICONIC FLOATING FOREST OF SYDNEY
There are a lot of shipwrecks in Sydney’s Homebush Bay, near the Olympic village, but none quite like the SS Ayrfield, also known as “The Floating Forest” for the lush mangrove vegetation that now covers its rusty hull.

Photo: Rodney Campbell


Photo: Steve Dorman


Photo: Jason Baker


Photo: Neerav Bhatt


Photo: Nostalgia
[via: unicorn-meat-is-too-mainstream]
devidsketchbook:

THE ICONIC FLOATING FOREST OF SYDNEY
There are a lot of shipwrecks in Sydney’s Homebush Bay, near the Olympic village, but none quite like the SS Ayrfield, also known as “The Floating Forest” for the lush mangrove vegetation that now covers its rusty hull.

Photo: Rodney Campbell


Photo: Steve Dorman


Photo: Jason Baker


Photo: Neerav Bhatt


Photo: Nostalgia
[via: unicorn-meat-is-too-mainstream]
devidsketchbook:

THE ICONIC FLOATING FOREST OF SYDNEY
There are a lot of shipwrecks in Sydney’s Homebush Bay, near the Olympic village, but none quite like the SS Ayrfield, also known as “The Floating Forest” for the lush mangrove vegetation that now covers its rusty hull.

Photo: Rodney Campbell


Photo: Steve Dorman


Photo: Jason Baker


Photo: Neerav Bhatt


Photo: Nostalgia
[via: unicorn-meat-is-too-mainstream]
devidsketchbook:

THE ICONIC FLOATING FOREST OF SYDNEY
There are a lot of shipwrecks in Sydney’s Homebush Bay, near the Olympic village, but none quite like the SS Ayrfield, also known as “The Floating Forest” for the lush mangrove vegetation that now covers its rusty hull.

Photo: Rodney Campbell


Photo: Steve Dorman


Photo: Jason Baker


Photo: Neerav Bhatt


Photo: Nostalgia
[via: unicorn-meat-is-too-mainstream]
devidsketchbook:

THE ICONIC FLOATING FOREST OF SYDNEY
There are a lot of shipwrecks in Sydney’s Homebush Bay, near the Olympic village, but none quite like the SS Ayrfield, also known as “The Floating Forest” for the lush mangrove vegetation that now covers its rusty hull.

Photo: Rodney Campbell


Photo: Steve Dorman


Photo: Jason Baker


Photo: Neerav Bhatt


Photo: Nostalgia
[via: unicorn-meat-is-too-mainstream]
atavus:

Jake Evans - Floral Sway, 2012
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definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
definitelydope:

By Allan Crutchley
hesito:

Ethereal Bloom (by alan howe)
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likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
likeafieldmouse:

Ryan Hancock
Artist’s statement: 
“The world seems to me increasingly incomprehensible, and there are times when I feel there isn’t anything that I know for certain. For me, making photographs (or painting, or whatever) is necessary to translate the unintelligible reality of being into a more coherent form. Or at least to illustrate my best guesses. There is vastly more nothing in the universe than something, and I try to create images that recognize the grace by which anything at all exists.”
ZoomInfo
definitelydope:

By Paco Navarro
definitelydope:

By Paco Navarro
definitelydope:

By Paco Navarro